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拿破仑全传上卷_(法)路易·德·波里涅(CHAPTER34) 第(1/1)页

1805

DifficultiesofmysituationatHamburg—Toilandresponsibility— Supervisionoftheemigrants—ForeignMinisters—Journals—PacketfromStrasburg—BonapartefondofnarratingGiulio, anextemporerecitationofastorycomposedbytheEmperor.

ThebriefdetailIhavegiveninthetwoorthreeprecedingchaptersoftheeventswhichoccurredpreviouslytoandduringthecampaignofAusterlitz, withthelettersofDurocandBernadotte, , butnotlesslaborious, thanthosewhichIformerlyperformedwhenneartheEmperor; and, besides, , infact, tomaintainaconstantwatchovertheemigrantsinAltona, whichwasnoeasymatter—tocorresponddailywiththeMinisterforForeignAffairsandtheMinisterofPolice—toconferwiththeforeignMinistersaccreditedatHamburg—tomaintainactiverelationswiththecommandersoftheFrencharmy—tointerrogatemysecretagents, andkeepastrictsurveillanceovertheirproceedings; itwas, besides, necessarytobeunceasinglyonthewatchforscurrilousarticlesagainstNapoleonintheHamburg 'Corespondent'.Ishallfrequentlyhaveoccasiontospeakofallthesethings, andespeciallyofthemostmarkedemigrants, inamannerlessirregular, becausewhatIhavehithertosaidmay, insomesort, beconsideredmerelyasasummaryofallthefactsrelatingtotheoccurrenceswhichdailypassedbeforemyeyes.

, , Iventuretopresume, willnotexperiencelessgratificationthanIdidonaperusalofitscontents, whichwillbefoundattheendofthischapter; butbeforesatisfyingthecuriositytowhichIhaveperhapsgivenbirth, ImayhererelatethatoneofthepeculiaritiesofBonapartewasafondnessofextemporenarration; anditappearshehadnotdiscontinuedthepracticeevenafterhebecameEmperor.

Infact, Bonaparte, duringthefirstyearafterhiselevationtotheImperialthrone, , hewouldremainabsorbedingloomysilence, , however, onthecontrary, hewouldgivethereinstohisvividimaginationandhisloveofthemarvelous, or, tospeakmorecorrectly, hisdesiretoproduceeffect, whichwasperhapsoneofhisstrongestpassions, andwouldrelatelittleromances, -in-waitingwerealwayspresent, tooneofwhomIamindebtedforthefollowingstory, whichshehadwrittennearlyinthewordsofNapoleon."Never," saidthisladyinherlettertome, ", hepacedthesalonwithhastystrides; theintonationsofhisvoicevariedaccordingtothecharactersofthepersonageshebroughtonthescene; heseemedtomultiplyhimselfinordertoplaythedifferentparts, andnopersonneededtofeigntheterrorwhichhereallyinspired, andwhichhelovedtoseedepictedinthecountenancesofthosewhosurroundedhim." InthistaleIhavemadenoalterations, ascanbeattestedbythosewho, tomyknowledge, .

TheEnd


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