[1] Allthepropertiesbywhichanobjectcanbecomeaesthetic, canbereferredtofourclasses, which, aswellaccordingtotheirobjectivedifferencesasaccordingtotheirdifferentrelationwiththesubject, produceonourpassiveandactivefacultiespleasuresunequalnotonlyinintensitybutalsoinworth; classeswhichalsoareofanunequalusefortheendofthefinearts: theyaretheagreeable, thegood, thesublime, andthebeautiful.
[2] Ofthesefourcategories, , andthegoodisatleastnotitsend; fortheaimofartistoplease, andthegood, whetherweconsideritintheoryorinpractice, , andisdistinguishedtherebyfromthegood, , foritisonlymatterthatcanaffectthesenses, , bywhichitisdistinguishedfromthegood; butitpleasesreason, onaccountofitsform, ; thebeautifulbyitsformhavingsomerelationofresemblancewithreason, , thebeautifulbyintuition, , thesecondbytheidea, andthethirdbymaterialsensation.
[3] , becauseitprocuresandsupposesanideaofitsobject; thepleasurewhichitmakesusperceiverestsonanobjectivefoundation, , onthecontrary, producesnonotionofitsobject, and, indeed, , andtheideaofitcompletelyvanishesthemomentanobstructionisplacedontheaffectabilityofthesenses, ; butthissameman, intheheatofsummer, wouldseektheshadeandcoolness; butwemustagreethatinbothcaseshehasjudgedwell.
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